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Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Charlotte Dubourg painting


Charlotte Dubourg
Charlotte Dubourg
Painting ID::  11191
   1882(Salon of 1887) 3' 10 1/2'' x 3'(118 x 92.5 cm) Bequest of Charlotte Dubourg,1921
  1882(Salon of 1887) 3' 10 1/2'' x 3'(118 x 92.5 cm) Bequest of Charlotte Dubourg,1921

 
 
   
      

Henri Fantin-Latour

French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Henri Fantin-Latour Charlotte Dubourg painting


Charlotte Dubourg
Charlotte Dubourg
Painting ID::  58782
   Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)
  Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)

 
 
   
      
Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
Charlotte Dubourg
Charlotte Dubourg, 1882. (Subject is the artist's sister-in-law.)
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